13,329 Royalty-Free Audio Tracks for "M Audio"

Greensleeves song - pshychedelic

Vissi d'arte recorded by Emma Carelli in 1906.

the trio section of "Hail, America" by Drumm, performed by the USMC Band c 2011

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Anton Günther Gesang und Gitarre: "De Ufenbank" in erzgebirgisch

Português: "Samba de fato", samba composto por Pixinguinha e Cícero de Almeida. Interpretação de Patrício Teixeira e Trio T.B.T. gravada em 1932.

Socca - Eje musical Isleño

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Deutsches Volkslied. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: German popular song.

MAla El Kasat

Italiano: Anonimo: "Sul cappello" (riduzione per Pianoforte). Suonato al Sintetizzatore dotato del banco Maestro Malmsjö Grand Piano da 196.336 KB. Autoprodotto dall'Utente

Zumbaquezumba - Eje musical Llanero

Пример звучания GuitarTabulatureSample1.svg

Eva Tanguay sings I Don't Care 1922, her most famous song.

First Electrical recording master to be released

Following a fellow with a face like me by Vest Tilley in 1908

Wolfgang Amadeus Mozart: Le Nozze di Figaro Ferenc Fricsay, RIAS-Symphonie-Orchester, Renato Capecchi, Irmgard Seefried, Dietrich Fischer-Dieskau, Maria Stader, Hertha Töpper

Speenhoff Spotlied Op De Vegetariers

La fatal pietra ("Morir! sì pura e bella!") from Verdi's Aïda (1871), sung by Nicola Zerola in 1909. Digital transfer by Tim Ecker, cleanup by Adam Cuerden. This is Victor Matrix C-8493-2, Recorded 17 December 1909 in Camden, New Jersey, and released as Victor 74225. (Full details).

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Sample of the Get Loose Crew Album released in 1988

Italiano: Don Giovanni Berry, Walter (ruolo: Baritono; Masetto) Böhme, Kurt (ruolo: Basso profondo; Il Commendatore) Corena, Fernando (ruolo: Basso-baritono; Leporello) Coro dell'Opera di Stato di Vienna (ruolo: Coro) Danco, Suzanne (ruolo: Soprano; Donna Anna) Da Ponte, Lorenzo (ruolo: Autore del libretto) Della Casa, Lisa (ruolo: Mezzosoprano; Donna Elvira) Dermota, Anton (ruolo: Tenore; Don Ottavio) Gueden, Hilde (ruolo: Mezzosoprano; Zerlina) Krips, Josef (ruolo: Direttore) Mozart, Wolfgang Amadeus (ruolo: Compositore) Siepi, Cesare (ruolo: Baritono; Don Giovanni) Orchestra dell'Opera di Stato di Vienna (ruolo: Orchestra)

Władysław Tarnowski ps. Ernest Buława „Ich sank verweint in sanften Schlummer“ – to piąta z pięciu pieśni zawartych w zbiorze Cypressen, prócz nut także tekst do tej akurat pieśni napisał Władysław Tarnowski, ale zbiór pieśni odwołuje się do tomiku poezji pt. "Cypressen" Ludwiga Foglára, a całą muzykę skomponował Władysław Tarnowski ps. Ernest Buława. Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 10:06, 13 February 2016 (UTC))

Beispiel für ein durch Frequenzmodulation hervor gerufenes Vibrato. Grundfrequenz: fg= 500 Hz; Modulationsfrequenz: fmod= 6 Hz; Frequenzänderung: Δ f = 50 Hz.

Italiano: Anonimo: "Quel mazzolin di fiori" per archi e ottoni. Ottenuto con Linux MultiMedia Studio https://lmms.io/ equipaggiato con banco audio Titanic 200 GS 1.2 (275 Megabyte) di Luke Sena (1998). Autoprodotto dall'Utente

Bach Fugue in C WTC1 bars 24-end

Hold your hand out, naughty boy by Florrie Forde in 1913

Kum za kuma by A.Goldin & M.Radesic. Istrian (vocal) folklore music from Muntic

Reverberation effect made by Nasca Paul with ZynAddSubFX software synthesizer. A short sample is followed by different samples with reverberation effect.

Audio of Lisa Lonie playing "Frolic" from Frank DellaPenna's "Music for Twilight" on the Netherlands Carillon in August 2012.

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Des Sommers letzte Rose. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: Sommers last rose.

Comma pythagoricien. Deux notes séparées d'un comma pythagoricien, jouées alternativement. Format ogg. Fait avec CSound.

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Spanisches Lied. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: Spanish song.

Neig, o Schöne Knospe Lied von Mirza Schaffy componirt für eine Singstime mit Begleitung des Pianoforte von L. Tarnowski, Wien, J. Gutmann. Leistung von Marcin Tarnowski (M.Tarnowski (talk) 09:50, 13 February 2016 (UTC)). Pieśń Neig, o Schöne Knospe Lied autorem tekstu był Mirza Schaffy, a muzyki na głos z towarzyszeniem fortepianu Władysław Tarnowski, partyturę wydał we Wiedniu, J. Gutmann. Wykonanie z instrumentem w miejsce głosu Marcin Tarnowski (M.Tarnowski (talk) 09:50, 13 February 2016 (UTC)).

La Légende des 12 voleurs (Nekrasov) interprétée par Chaliapine

Example of the Locrian diatonic scale. Note the dark, inharmonious sound. The Locrian scale is difficult to work with due to so few harmonic intervals.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Merengue Abambucado - Eje musical Andino Nor-oriental

Bach Preludio XXI from Well-tempered Clavier, Vol 1

Tonaufnahme einer Polyphon Lochplatte, abgespielt auf einer Plattenspieldose der Firma Polyphon-Musikwerke-AG. Lochplatte:Auf dem See. Recording of the Music box by Polyphon-Musikwerke in Leipzig, Germany. Disk: On the Sea.

Examples of digital clipping (Source: Beethoven's Fifth, 30 second cut, loudest peaks occur at 19.9, 20.7, 22.7 and 23.8 second marks). A set of five files: 1. Original, normalized to 1 dB margin to full scale. 2. +2dB overload 3. +5 dB overload 4. +10 dB overload 5. +20 dB overload

Mohammad Dīn Zākhel - Waro Waro Kēzhda Qadumūna Āshnā

Bach prelude in A flat from WTC1 bars 9-18

Un la à 440hz, puis un la élevé d'un comma à 446 hz, puis les deux ensemble. Fait avec CSound.An A at 440 hz, then an A + one comma at 446hz, then both together. Made with CSound.

I'm the idol of the girls by Vest Tilley in 1908

One of microKORG synthesiser sounds. Played and recorded by myself.

Vorrei morire

Władysław Tarnowski ps Ernest Buława (1836-1878) Kennst du die Rosen pieśń dedykowana profesorowi Angelo de Gubernatis (tekst i nuty, Wiedeń około 1870, wyd. J. Gutmanna). Marcin Tarnowski (wykonanie) - akompaniament z muzyką w miejsce głosu, z przyczyny, że pieśń jest momentami a capella (M.Tarnowski (talk) 11:57, 30 January 2016 (UTC)).

Fanica Luca - Eu sunt Barbu Lautaru

La serenade interrompu, bars 76-86

Nederlands: Adjudant S.P. van Leeuwen componeerde in 1961 voor het regiment de defileermars ‘Toujours en Tête’ (Steeds vooraan). De Koninklijke Militaire Kapel ‘Johan Willem Friso’ speelt de mars, beter bekend als regimentsmars, tijdens belangrijke momenten en ceremoniële gelegenheden.